Clothes Clothes Clothes Music Music Music Boys Boys Boys Book

Clothes Clothes Clothes Music Music Music Boys Boys Boys
by Viv Albertine

The brilliant guitar player of the Slits who brilliantly defaced the London Museum of Art's punk exhibit to include women! It's the mid-seventies, and the Sex Pistols are at the head of a massive, angry (or at least frustrated) cultural insurgence. Her rebellious tendencies have led her into the center of punk culture, and inspired by its outsized personalities and confrontational style, she picks up a guitar, forsaking traditional training for the DIY ethos of the day. After her band with the pre-Pistols Sid Vicious (The Flowers of Romance--a possibly sardonic suggestion from Johnny Rotten) fails to launch, Albertine joins forces with The Slits, a ska-infused, all-girl outfit that, through the force of its collective will and audacity, elbows its way to the front of a stage filled with sharp, mostly male elbows. Everyone is wearing Vivenne Westwood's provocative clothing purchased from Malcolm McLaren's infamous boutique, SEX--at least as much as they could afford. Mick Jones of The Clash wanders in and out of the story, first as a gangly proto-punk spending all of his time and loose change trying to put together a band, and later as Albertine's on-again, off-again boyfriend (the classic London Calling track "Train in Vain" was inspired by her). It's a story in the best rock & roll tradition: Initiative leads. Ability chases. Success looms. Then someone bumps the turntable.

Side Two. The band has blown apart. Grownup problems ensue: education and career; marriage and kids; serious illness, divorce, and identity. The actor Vincent Gallo. Albertine moves through all of it, drawing from the same well of determination that compelled her to pick up the guitar for the first time. The two sides of the book may tell very different stories, but they share perspective and style that are both straightforward and ultimately uncompromising. If you love this music (and your library contains titles like Please Kill Me and Richard Hell's I Dreamed I Was a Very Clean Tramp), then this book is fascinating and essential. If not, it's fascinating and inspiring. It's occasionally coarse, and often terribly funny and fun.-- Jon Foro